How do i hook up studio monitors
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Especially if this becomes more than a hobby. Plus don't underestimate the effectiveness of good cables. Remember that your sound will only be as good as the equipment that shapes and carries it.
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- How To Set Up Studio Monitors.
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- 7 Mistakes To Avoid When Setting Up Studio Monitors.
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- Technical Differences.
Bookmarks Bookmarks Digg del. All times are GMT The time now is Enter your search terms Submit search form. Pop music is made to be played back on home stereo systems. Yet recording professionals prefer dedicated monitor speakers for studio work.
So you have to connect it to a line source with a volume control, i. Active speakers offer some advantages. Usually, they contain not only one power amplifier but several.
What’s the Difference Between Home Stereo Speakers and Studio Monitors?
The woofer, the tweeter and if available the mid-range speaker each get their own power amplifiers, which results in a punchier, more accurate dynamic response. Having dedicated power amplifiers for each speaker also makes it easier to build top quality crossovers. Not only because the crossover can be placed before the power amps, but also because active circuitry can be used to obtain steeper filter slopes.
This reduces overlap between the woofer, mid-range speaker, and tweeter, which results in a clearer, more detailed sound image. When music professionals listen to music, they do it with a different mindset than music consumers. Enthusiasts simply want to enjoy the music they love as best as they can. Most music consumers therefore prefer speakers that seem to enhance their listening experience.
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- What’s the Difference Between Home Stereo Speakers and Studio Monitors?.
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Many hi-fi speakers accomplish this by boosting the bottom end and top end. Musicians, producers, and engineers want something different.
Weaker, longer reflections—like from the back of the room—can provide enough overall ambience to make for a comfortable listening environment without too much interference. The console itself or tabletop, in smaller rigs —right in front of the listener, between the monitors and sweet spot—can be a significant source of these undesirable strong, strong reflections. While you may not be able to completely avoid all such reflections as attempted with certain high-end studio designs , you can try to minimize them. There are a number of reasons why consistently monitoring at too loud a level is not a good idea.
Many people are familiar with the Fletcher-Munson curves, which describe an aspect of human hearing. Our ears are more sensitive to high end and, especially, to low end, at higher listening levels—in other words, we hear a little more treble and a lot more bass when the music is cranked up!
2. Avoid the Walls
But while this may make for an exciting, enjoyable listening experience, if you consistently monitor at such loud levels above 90 dBspl , your decisions about how to set the level of bass in the mix will only be valid at those loud listening levels. People who play your mixes at lower levels will perceive a lack of bass, resulting in exactly the opposite of what you heard—much weaker bass, and a thin, sometimes screechy, mix.
One more extra suggestion.. But be careful to balance the output of the sub to the monitors. Typically, this means the sub will provide frequencies below 80 Hz or so, adding up to an octave to the frequency response of your average small monitor. Do you want to learn more about acoustics?
More articles by this author. Joe is a musician, engineer, and producer in NYC. He's also taught all aspects of recording and music technology at several NY audio schools, and has been writing articles for Recording magaz Create an account or login to get started! Audio is your ultimate daily resource covering the latest news, reviews, tutorials and interviews for digital music makers, by digital music makers. Log In Create Account. A NonLinear Educating Company. Correctly setting up studio monitors is crucial to ensure your audio productions aren't awash with problems.
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- 1. Avoid the Hype.
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In this enlightening read, Joe Albano discusses 7 things which can be avoided. Avoid the Hype Consumer speakers are often designed to make everything played through them sound as good as possible. Fig 2 Free-standing placement L vs wall-placement R of studio monitors. Fig 3 Rear-panel speaker controls for different speaker placements. Avoid Asymmetry Even if you avoid backing the monitors up against the wall, reflections from room boundaries will still affect the sound.
Fig 4 Stereo monitors symmetrically positioned between side walls.
Avoid Poor Angles Positioning the monitors either too close together or too far apart can mess up your stereo panning decisions. Avoid Excessive Levels There are a number of reasons why consistently monitoring at too loud a level is not a good idea. Avoid too Much Sub One more extra suggestion.. Joe Albano More articles by this author. Two questions on point So I chose to equalize the setup dBs at that crossover point. Mixing vs Mastering vs