Michael ching speed dating tonight

Vanderbilt Opera Theater presents: Michael Ching's Speed Dating Tonight

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Speed Dating Tonight! by Michael Ching

The initial goal of the class is to introduce students to all aspects of this art form that requires acute skills not only in singing, but also in acting, languages, movement, and much more. Opera Workshop offers a variety of training in such areas as audition technique, interpretation, and scene study through performance opportunities, collaborative group projects, and performance feedback. Individuals with disabilities requiring accommodations should contact School of Music at as much in advance of the event as possible..

We ask that requests for accommodations be made as soon as possible. Originally published in Intercom: Opera Workshop Presents New Opera: All rights reserved; unauthorized use prohibited.

Ching is a gifted composer capable of turning out well-crafted music, very romantic when the occasion dictates and frightening when that is called for. Ching speaks music so well that he accommodates the text without a stumble Ching might well be tempted to craft a concert suite without the transitional material. Ching is best known for his operas. He provided his own libretti for his first two operas: His fourth opera, Cue 67 , a one-act minute contemporary murder-mystery ghost story set in a theater, was commissioned and premiered at Virginia Opera in , paired in a double bill with Gian Carlo Menotti 's The Medium.

Beginning in , Ching wrote two related one-act operas with songwriter Hugh Moffatt. The first, King of the Clouds , deals with alcoholism and broken families, [37] and the second, Out of the Rain , explores contemporary topics such as social pressure, teen suicide, and AIDS. The vocal writing is expert, the orchestration light enough to allow the singers to project the text clearly.

Buoso is charming and unpretentious The score subtly introduces brief tongue-in-cheek quotations from other works, ranging from Mozart to Sondheim, plus one unmistakable interjection of Shostakovich. Ching also supplied his own libretto to his one-act opera Faith , based on the short story of the same title by award-winning science-fiction author James Patrick Kelly. The opera follows the story of the titular character, a divorced and depressed woman who meets a man via a personal ad, discovers he talks to plants, and begins to fall in love again.

There are giant chunks of narrative [Ching] just set to music which is different This man transformed my piece into something equally, if not more, wonderful. Ching's three-act opera Corps of Discovery , his third collaboration with Hugh Moffatt, was commissioned by the University of Missouri for the bicentennial of the Lewis and Clark Expedition. His next opera, an adaptation of Shakespeare's A Midsummer Night's Dream , is an entirely a cappella work, with the musical accompaniment, including the percussion, sung by a "voicestra" of 15 to 20 voices.

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There was something jaw-droppingly giddy about the whole enterprise. With no reeds, no mouthpieces, no strings, no sticks, the variety of sounds they were capable of making was virtually unlimited.

By the end of my first rehearsal with them I was hooked and eager to apply this new sonic palette to opera. Many people love Porgy , but nobody ever tries to write an opera like it. I wanted to write accessible and tuneful music, yet very modern.

The Wall Street Journal praised A Midsummer Night's Dream , stating that "Ching's remarkably inventive opera is a celebration of what voices can do and still, with the exception of a few startling vocal percussion effects, sound like voices. The reviewer found the voicestra's part remarkable in that it "supports the singers on the stage, its overlapping lines and syllables weaving around them, amplifying their characters and conflicts, sometimes echoing their words or even their thoughts , or supplying atmosphere.

The voicestra gives the opera an added human dimension Slaying the Dragon , Ching's fact-based opera, explores intolerance and redemption, and was inspired by the s true story Not by the Sword by Kathryn Watterson. The man renounces his Klan association and begins to speak out publicly for tolerance; his terminal illness eventually incapacitates him and he moves into the rabbi's home, converting to Judaism before dying.

Ching next composed and wrote the libretto for the opera Alice Ryley , a fact-based ghost story based on the title character also spelled Alice Riley , a woman who was hanged in Savannah, Georgia in the s. Since mid Ching has lived in Ames, Iowa. From Wikipedia, the free encyclopedia. For the Chinese-Canadian businessman, see Michael Ching businessman.

Florida State University , The Wall Street Journal.

Central Opera Service Bulletin. Retrieved October 8, Resource Guide" Archived at the Wayback Machine.. Retrieved September 27, Retrieved October 9, Chamber Season Ends on a High Note". San Jose Mercury News.

Accessed August 12, Stanford University Library Holdings. San Francisco Classical Voice. Harmonie Park Press, Opera companies and houses of the United States:

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